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![]() Originally Gillon Aitken Associates, and operated for a time as Aitken & Stone.Ĭarole Blake (joint managing director), Julian Friedmann (joint managing director)Ĭreated by the merger of Julian Friedmann Literary Agency and the Carole Blake Literary Agency, which were founded in 19 respectively. Gillon Aitken (chairman), Clare Alexander (joint managing director), Sally Riley (joint managing director) Represents writers in all media, including books, and scripts for film, television, radio and theatre.Įd Victor (executive chairman), Sophie Hicks (joint managing director), Margaret Phillips (joint managing director) ĭiana Tyler (joint managing director), Laura Longrigg (joint managing director) ![]() The agency was renamed Independent Talent in August 2007. In 1991, ICM merged Duncan Heath & Associates with its UK office and, in 2002, a management buyout took place. Based in London, UK.Ĭlaire Conrad (director, London office) ĭuncan Heath (chairman), Paul Lyon-Maris (deputy chairman and managing director), Lyndsey Posner (managing director – corporate affairs) įounded as Duncan Heath & Associates, which was bought by ICM in 1985. Enright, Margaret Mahy, James Wong, Evie Wyldįounded by Sheila Watson and Mandy Little. Representing adult fiction and non-fiction, and children's and YA. Gill Coleridge (chairman), Peter Straus (managing director)ĭavid Aaronovitch, Yassmin Abdel-Magied, Abdulrazak Gurnah, Nick Hornby, Kazuo Ishiguro, James Kelman, Ian McEwan, Caryl Phillips, Zadie Smith, Meera Syal, Donna Tarttįounded as Deborah Rogers Ltd by Deborah Rogers who was soon joined by Pat White and in 1988 by Gill Coleridge when Rogers, Coleridge & White was formed. įounded by Elaine Greene, who was later joined by Carol Heaton. Overseas associates: Georges Borchardt, Inc. Incorporates Richard Scott Simon Ltd (1971) and Christy & Moore Ltd (1912). Peter Ackroyd, Melvyn Bragg, Susan Hill, Patrick O’Brian (estate) īased in London, UK. Tony Hancock, Graeme Garden, Bill Oddie, Annie Leake ThomasĬreated in 2003 by the merger of Michael Alcock Management and the John Johnson Agency. Originally Pearn, Pollinger & Higham David Higham Associates since 1956.Ĭandace Allen, Beryl Bainbridge (estate), Lawrence Scott, D. Coetzee, Roald Dahl (estate), Stephen Fry, Eric Hobsbawm, Jacqueline Wilson, Rosemary Sutcliff Peters Agency and the Fraser and Dunlop Agency. Part of the Rights House Group, which was established in 2010, PFD is the result of a 1989 merger between the A. Jonathan Lloyd (chief executive), Jonny Geller (managing director, books division) The largest talent agency in the world, having been created in 2009 by the merger of the William Morris Agency and the Endeavor Agency. Simon Trewin (head of UK Literary Division) įormerly William Morris Endeavor. ![]() In December 2012 A P Watt joined the United Agents Partnership. This is a list of the major UK literary agencies, by order of the year of their establishment, including selected notable clients.Ĭaradoc King (chairman and joint managing director), Derek Johns (joint managing director) ![]() JSTOR ( November 2011) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "List of UK literary agencies" – news Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification. ![]() ![]() You can optionally add a billing item description. If the billing timer icon is clicked while in a specific matter or task, the client, matter and task will be pre-populated. If the drop down is blank, it means the matter has no open tasks. Once a matter is selected, the task's searchable drop down will show all open tasks for the matter. ![]() Once a client is selected, the matter searchable drop down menu will show all matters associated with the client. When adding a client, a searchable drop down menu appears where you can search for any clients. Matters and tasks are optional, as a billing item can be created without links to a matter. ![]() Timekeepers can select a client, matter and task. Timekeepers can create billing timers by clicking on the clock icon labelled "Timers" at the top of any screen. In other words an active billing timer could be 60 hours long, resulting in three distinct fee billing items covering three concurrent days. Once midnight is reached, the prior day's billing item is finalized, and a new one for the current day is created. Any billing timer that is still running past midnight local time will continue running until paused. Paused billing timers are removed from the billing timer popup window at midnight local time, and the "fee" billing item is finalized. ![]() Once a billing timer starts, a "Fee" billing item is created along with any details (i.e., who, client, matter, tasks, etc.). Billing timers can be added, paused, completed or deleted as needed. AppColl has a built-in billing timer allowing users to track their time for one or more tasks. ![]() ![]() ![]() The trick to getting good peek-a-boo lowlights is the placement of them. Some great color choices for lowlights are red, chocolate brown, black, or light brown. Depending on how dark you go, you can even get a bit of an edgy, punk look. Doing chunky lowlights like this can make your blonde pop even more and make it look brighter. Peek-a-boo lowlights give you chunky dimensions without making your blonde look any darker. Lowlights are a great option for those with lighter hair already. You can expect to pay anywhere from $90 to $180 depending on the amount of color you get and getting a touch-up every 4 to 6 months. ![]() The natural option has the least amount of maintenance. If you decide to go with the vivid option, the price and maintenance look very similar to the peek-a-boo vivids option. You then apply the color directly below the tease.ĭepending on if you decide to go with vivid color or natural color will affect the maintenance of peek-a-boo ombre. For natural color, you would tease each large section up to where you want the color to start fading into your natural. The vivid colors that you want ‘ombred’ are then applied over the previously lightened pieces at different lengths and mushed together to create a blend between colors. To get the vivid iridescent look, you must do a double process. When done in large chunks underneath the hair with the color being blended up to your natural color, it gives you a faux balayage look. However, it can be done with any color that you would like. Some popular vivid color combinations to ombre are pink to purple, blue to purple, red to orange, and any other similar colors that can be mixed. One vivid color is melted into another throughout the length of the hair giving it an iridescent look. Peek-a-Boo OmbreĪgain, this technique is usually done with vivids. The vivid color only lasts 4 to 6 weeks, so it must be redone fairly often to maintain it. This process can take about 4 hours to complete and can cost anywhere from $100 to $200 depending on how many colors you get done. That means the hair must be lightened first with bleach and then colored over with the desired color. ![]() ![]() You can wear it straight to conceal the vivid colors. This type of color pops most when the hair is curled or worn halfway up. You can do anything from one or two large pieces underneath to the whole entire bottom half of your hair being colored. There are many different ways that you can add vivids to your hair. Peek-a-boos allow you to test out vivids without going all over with it. Vivid colors are those vibrant artificial colors, like pink, purple, blue, red, and any other unnatural color. Most people who want to do peek-a-boos do them because they want to try vivid colors. Your peek-a-boo highlights should be placed underneath the hair, done in thick sections, and not require a lot of maintenance. You can also do peek-a-boos to simply add a splash of color into your hair. The nice thing about them is they are a great introduction to more dramatic colors, such as vivids and lighter or darker colors. There are many different colors you can do with peek-a-boo highlights. When you curl your hair or wear it up, the color pops out. This gives you the ability to blend them in with your hair a bit when your hair is down and straight. The reason that peek-a-boo highlights are great for people transitioning into funner colors is that they are done underneath the hair. They stand out and can be done with fun, vivid colors while not being as overwhelming as an all-over, drastic color, making them great for those that want to do something a little crazy with their hair but aren’t too sure about it. Peek-a-boo highlights have been around for a long time now. ![]() ![]() ![]() ![]() Well I live with snakes and lizards And other things that go bump in the night 'Cause to me everyday is Halloween I have given up hiding and started to fight I have started to fight Well any time, any place, anywhere that I go All the people seem to stop and stare They say "why are you dressed like it's Halloween? You look so absurd, you look so obscene" Oh, why can't I live a life for me? Why should I take the abuse that's served? Why can't they see they're just like me It's the same, it's the same in the whole wide world Well I let their teeny minds think That they're dealing with someone who is over the brink And I dress this way just to keep them at bay 'Cause Halloween is everyday It's everyday Oh, why can't I live a life for me? Why should I take the abuse that's served? Why can't they see they're just like me It's the same, it's the same in the whole wide world Oh, why can't I live a life for me? Why should I take the abuse that's served? Why can't they see they're just like me I'm not the one that's so absurd Why hide it why fight it? Hurt feelings best to stop feeling hurt Denials, reprisals It's the same it's the same in the whole wide world It's the same it's the same in the whole wide It's the same it's the same in the whole wide It's the same it's the same in the whole wide world Yeah! and I've set up and turned out this state With my own two hands We've traveled this land packed tight in minivans And all this for the fans, girls, money, and fame I play their game, and then they scream my name I will show no shame, I live and die for this If I come off soft, then chew on this Are you scared? Devil without cause, and I'm back With the Beaver hat and Ben Davis slacks 30-pack of Stroh's, 30-pack of hoes No rogaine in the propane flows Chosen one, I'm the living proof With the gift of gab from the city of truth I jabbed and stabbed and knocked critics back And I did not stutter When I said that I'm goin platinum, sellin rhymes I went platinum, seven times And still they ill they want to see us fry I guess because of only God knows why why why why why Oh, they call me cowboy, I'm the singer in black Throw me the finger in the air, let me see where you're at And say hey, hey Let me hear where you're at and say hey, hey I'm giving back so say hey, hey Show me some metal and say hey, hey, hey, hey I like AC/DC and ZZ Top Bocephus, Beasties, and the Kings of Rock Skynyrd, Seger, Limp, Korn, the Stones David Allen Coe, and No Show Jones Yeah! Pass that bottle around Got the rock from Detroit and soul from Motown The underground stoned fuckin pimp With tracks that mack and slap back the whack Never get in the way, I don't play with with that But watch me rock with Liberace flash Punk rock the Clash, Boy Bands are trash I like Johnny Cash and Grandmaster Flash Oh, they call me cowboy, I'm the singer in black Throw me the finger in the air, let me see where you're at And say hey, hey Let me hear where you're at and say hey, hey I'm giving back so say hey, hey Show me some metal and say hey, hey, hey, hey Yeah, I saw your band Jumping around on stage like a bunch of wounded ducks When you gunna learn sucker? You just can't fuck with Twisted Brown Trucker I'm an American Bad Ass Watch me kick, you can roll with Rock Or you can suck my dick I'm a porno flick, I'm like Amazing Grace I'm gunna fuck some hoes after I rock this place Superfly living doublewide Side car on my Glide so Joe see can ride Full sack to share, bringin' flash and flair Got the long hair swinging, middle finger in the air Snake skin suits, 65 Chevelle See me ride in sin hear the rebel yell I won't live to tell, so if you do Give the next generation a big 'fuck you' Who knew I'd blow up like Oklahoma Said fuck high school, pissed on my diploma Smell the aroma, check my hits I know it stinks in here, cause I'm the Shit Oh, they call me cowboy, I'm the singer in black Throw me the finger in the air, let me see where you're at And say hey, hey Let me hear where you're at and say hey, hey I'm giving back so say hey, hey Show me some metal and say hey, hey, hey, hey I'm a cowboy, bad ass in black singing hey, hey, hey, hey From side to side from front to back say hey, hey, hey, hey I put Detroit City back on the map by singin hey, hey, hey, hey Kid Rocks in the house and that's where I'm at! ![]() ![]() ![]() The quotation level is also radically unique to ATLAS.ti. It permits a uniquely intuitive way of interacting with your data, digitally transferring the traditional paper-and-pen analogy in the digital world. The interactive margin area is a unique work space in ATLAS.ti not surpassed by any other program on the market. Visualize your findings and interpretations in a digital mind map as you go. Link your findings in a semantically meaningful way. Object Managers, the Project Explorer, and the Co-occurrence Explorer let you browse and navigate through your project data. Access to all basic project components such as your documents, highlighted/coded data segments, codes, memos, hyperlinks, groups, or networks is fast and comfortable.Ĭoding can be done by simply dragging codes onto the selected piece of data. Your central workspace in ATLAS.ti serves as a container for your project’s data. ![]() These tools will help you to discover the intricate hidden “texture” of your data, its interwoven meanings.ĪTLAS.ti offers a set of tools and features that are powerful and flexible enough to get to the bottom of even the most complex data material. Explore your data with the Network Editor, the Text Search Tool, word clouds, word frequency tables, and through the various query options. Code systematically and develop a system of meaning that unlocks your specific research subject. Get to know your material in tremendous depth. Or import entire surveys to analyze answers to open-ended questions. You can import data from Evernote, Twitter, and your favorite Reference Manager for a literature review . wma, etc.) as well as most common video types (.avi. Perform fully automated searches across one or multiple documents, auto-coding, and other powerful semantic operations to extract meaning.Įnjoy the freedom of working with dozens of graphic and audio formats (.wav, ,mp3. Work with text documents in all major formats–including txt.doc. Whether your field is anthropology, economics, criminology, or medicine: ATLAS.ti will meet your qualitative analysis needs!ĪTLAS.ti offers an unsurpassed range of media for you to work with: Whether it’s coding hundreds of documents, audio clips or photos, ATLAS.ti will never let you down! ATLAS.ti keeps you focused on the material itself. Sophisticated tools help you to arrange, reassemble, and manage your material in creative, yet systematic ways. ATLAS.ti is a powerful workbench for the qualitative analysis of large bodies of textual, graphical, audio and video data. ![]() ![]() ![]() I used this app for the first time this week and, well, it was a godsend." TheNextWeb: "If you ever have a need to transfer an audio recording into text format, you’ll likely love this little Chrome Web app. This is still way faster than using a traditional Media Player and a Word processor. You can slow down your audio, auto-loop it, use the built-in text-expander or even use a foot pedal. When all else fails and you have to transcribe manually, you can still save time using our workflow tools. ![]() Slow down audio & transcribe fast using our tightly integrated player & editor This is helpful if your audio/video has a lot of background noise or interruptions.ģ. We support English, Spanish, French, Hindi and almost all other European & Asian languages. Our dictation engine will convert your speech to text on the fly. Put on your headphones, load your audio, slow it down and speak out what you hear. Convert your speech to text via fast & accurate dictation If you have clear audio/video recordings in one of these languages: English, French, German, Hebrew, Hindi, Italian, Portuguese, Spanish? Our state-of-the-art machine transcription converts your audio to text in minutes, with close to 90% accuracy.Ģ. **NEW** Convert audio to text with automatic transcription Our customers use Transcribe in 3 different ways:ġ. Increase your productivity & save mountains of time when converting your interviews, audio notes, lectures, speeches, podcasts and any recorded speech to text. If you have been struggling by switching back and forth between your audio player and word processor - Transcribe will make life much simpler for you! Transcribe makes transcription of audio and video recordings a breeze. We still offer this workflow (called self-transcription) if your audio has background noise or has frequent interruptions. Prior to Oct 2018, Transcribe was an app that primarily helped make manual transcription faster and less painful with dictation and a tightly integrated editor and player. This has been a long-standing ask from our users and we're finally able to offer it thanks to recent advances in speech recognition research. *** Update ***Īs of Oct 2018, we now support automatic transcription in select languages for well recorded audio. Supports automatic transcription, dictation and self transcription. An app to convert audio/video to text effortlessly. ![]() ![]() ![]() Let’s now look at the basic configurations required before we start using our XAMPP installation for developing PHP powered web sites. Install and uninstall services such as Apache, MySQL etc. to make changesģ) This section contains useful utilities such as Netsat, windows services short cuts etc.Ĥ) This section displays status information on the modules. ![]() Open configuration files for Apache, MySQL etc. Open the administrative windows for Apache and MySQL If the button shows a green tick and you click on it, the control panel will ask you if you want to uninstall the system.Ģ) This section shows Port(s) associated with the modules. To install a service, click on the red mark. The red mark means it has not been installed as a service. A green tick means the module has been installed as a service. The diagram below shows the control panel.ġ) This section lists the installed services, modules and the process IDs PID(s).Explore the programs directory and locate Apace Friends then XAMPP as shown in the diagram below.The control panel is used to manage programs installed via XAMPP. ![]() Close Skype if you want to use XAMPP for PHP on port 80 Note,If you use SKYPE, it uses the same port. For this tutorial we will assume we are using port 80. If port 80 is taken by another web server, you can use a different port number. This directory is used to configure how PHP behaves on your server.īy default, the Apache web server runs on port 80. It contains an important file named php.ini. php – this directory contains PHP installation files.mysql – this directory contains all the information related to MySQL database engine, by default it runs on port 3306.All of our PHP codes will be placed in this directory. htdocs this is the web root directory.The following is a list of the basic directories that you are supposed to be aware of. This XAMPP Tutorial assumes that you have installed XAMPP on drive C in Windows using the steps mentioned above. On successful completion of installation, you will see following windowīefore we test our XAMPP installation, let’s first look at the basic directories that we will be working with. You will have to do this from the XAMPP control panel.PHP and If you have not installed Apache and MySQL as services, then you have to manually start them every time that you want to use them. Installing them as services runs both Apache and MySQL automatically in the background whenever you power up your computer. For you to use Apache and MySQL, they are supposed to be running in the background. Services can be set to run automatically whenever the windows operating system is started. Note a service is a long-running program in windows that does not require user intervention. You may optionally select FileZilla (FTP Client) if needed. In the next screen select Apache and MySQL. In the next screen, Change the installation path if required. ![]() The diagram below illustrates the main steps.Īfter you have deactivated the User Account Control, click on OK button on the warning message box. To do this, Select Control Panel > User Accounts > Change User Access Control settings. If you are using Windows Vista or Windows 7, make sure that you deactivate the User Account Control feature. The warning message dialog window shown below appears. There are however, a few things that we must note.Īfter you have downloaded XAMPP, run the setup. XAMPP Installation is just like installing any other windows program. Click here to XAMPP download for Windows: ![]() ![]()
![]() ![]() Many people find that timers on mobile phones or digital watches are more useful than pill timers or pill organisers. Some advanced devices can send a text message to an emergency contact number if you don't take a dose within a specified timeframe. ![]() Medication alerts – these will tell you when to take your medication through sounds, vibrations, flashing lights or a combination of these. ![]() They can be useful to carry what you need when you are out and about. Travel-size pill timers – these portable devices can hold a small number of medication doses (usually enough for a day) and have a small alarm to remind you when to take your medication. This makes sure you are aware when a dose is due and makes it easy to take the right amount of medication. Some people find having two dosette boxes allows for easy exchange and refills at the pharmacy.ĭosette-style blister packs are already organised into times and daily doses, according to your prescription.Īutomatic pill dispensers – these allow you to set the organiser to ‘unlock’ one compartment at a time. They can be empty boxes that you refill weekly or may come pre-filled by your pharmacist. Larger organisers can cover a full week.ĭosette boxes – these organise medication by the time and week of the day. Pill organisers – these have separate compartments for several doses of medication per day. © The Author(s) 2014 Reprints and permissions: .uk/ organisers are used to arrange and store medication, which helps make sure that you are taking the right medication and dose at the right time. Future interventions may need to address other contributors to poor adherence such as motivation. Patients preferred the m-health approach. Those who received reminders adhered 79% of the time, and those with passive medication reminder devices adhered 78% of the time, i.e. People with the telehealth device adhered 80% of the time and people with the smartphone adhered 76% of the time. The overall adherence rate was 78% (SD 35). We examined adherence to 4 medications over 28 days. Patients were randomized using a 2 × 2 design to one of four groups: pillbox silent, pillbox reminding, smartphone silent, smartphone reminding. Their average age was 69 years and 83% were Caucasian. The participants were 60 adults with HF (65% male). A secondary aim was to compare patient acceptance of the devices. We conducted a feasibility study of a telehealth intervention (an electronic pill box) and an m-health intervention (an app on a smartphone) for improving medication adherence in older adults with heart failure. 8 Department of Psychology, Kent State University, Kent, Ohio, USA Summa Health System, Akron, Ohio, USA Frances Payne Bolton School of Nursing, Case Western Reserve University, Cleveland Ohio, USA.7 Harrington-McLaughlin Heart and Vascular Institute, University Hospitals Case Medical Center, Cleveland Ohio, USA Department of Medicine, Case Western Reserve University School of Medicine, Cleveland, Ohio, USA.6 Summa Health System, Akron, Ohio, USA.5 Department of Psychology, Kent State University, Kent, Ohio, USA Creative Action LLC, Akron, Ohio, USA.4 Department of Psychology, Kent State University, Kent, Ohio, USA.3 Frances Payne Bolton School of Nursing, Case Western Reserve University, Cleveland Ohio, USA.1 Department of Psychology, Kent State University, Kent, Ohio, USA Summa Health System, Akron, Ohio, USA 2 Department of Psychology, Kent State University, Kent, Ohio, USA Summa Health System, Akron, Ohio, USA. ![]() |
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